A Tale Of Two Tabloids

Sorry, I have to go into more detail here. Okay, so the Australian mainstream press decided to cover the Australian PS3 launch last night, right? Apparently the "big event" was held at the Sydney Myer store. The first customer to get their Aussie PS3 from the store was 31-year old Mr Danny Zarka, who from his name I adjudge to be a second-rate galactic despot, possibly slumming at the launch as part of a master plan to subjugate humanity.

Reputable news outlet AAP, always quick to cover a story, apparently interviewed High Warlord Zarka. According to national newspaper The Australian:

"I feel very privileged to be the first to buy a PlayStation 3 here tonight," Mr Zarka said.

Wow. It's like he's just been awarded a shiny, black, overpriced Key To The City. We're told it was given to him personally by Michael Ephraim (Managing Director Sony Computer Entertainment Australia) and Bernie Brooks (Myer CEO). I think possibly the console comes with an honorary knighthood, or suchlike.

But His Ruthlessness, Lord Zarka, apparently had more to say to the plebian masses. The Age reports:

The advertising executive from Pyrmont was shocked because he had arrived after 9pm, yet still found himself at the front of the queue.

"I'm surprised there aren't more people here, I thought the place would be packed," he said.

Which tells a somewhat different story of the event. The Age goes on:

Over 500 retailers around the country threw open their doors as the clock struck 12:00am, expecting the frenzy that accompanied the games console's overseas debuts.

But most stores were virtually deserted, despite the 20,000 pre-orders Sony said it had received.

Even at the official launch event held at Myer's Pitt Street store in Sydney's CBD and attended by Sony's local managing director, Michael Ephraim, media and security outnumbered PS3 fans until at least 11:00pm.

At midnight, about 40 PS3 buyers had arrived to collect their consoles, causing distress for the army of camera crews who turned up expecting to capture launch mayhem.

Desperate producers unashamedly asked the crowd to fake excitement when the cameras were rolling, while a team from 2Day FM let out bogus cheers to convince their radio listeners that a launch extravaganza was underway.

Ouch. Poor Sony. But what's really distressing here is the difference in the articles. If you read The Australian or news.com.au you'll find they both just swallowed the AAP story, that the launch was a roaring success. news.com.au somewhat distressingly tarted it up and passed it off as their own work despite using many of the same phrases. Was someone paid by Sony to make the bad launch look good? This isn't news - it's thinly disguised advertising.

I don't often have reason to give credit to the Age, but I'm glad at least one mainstream news service actually presented the full story here. Possibly when they're just so tired of punching nuns and kicking puppies that they need to take a break, they exhale quality journalism. Stranger things have happened. (Someone let Jhonen Vasquez make children's TV, for one.)

As for those other outlets - shame. I can only hope that after the inevitable bloody revolution, when Dark Lord Zarka calmly and majestically assumes his rightful throne, they'll be first against the wall.

Season 2

Now that you've all concluded the jiggity dance, it occurs to me to mention that I guess The Dust Forms Words is now ready to begin Season 2, in which:

* Square-Enix gets a new girlfriend, who comes with dual screens and a sexy stylus (And that's not even counting the awesome of Actraiser on the Wii).
* Koei once again lets us slay thousands of generic enemies from the comfort of our living room - this time in Europe!
* Sheridan goes to Za'ha'dum

And suchlike. I'm pretty sure that I'm not giving anything away to say that Martin Sheen is probably going to run for a second term, we'll find out what's down the hatch, the exploding man will be stopped, Sisko will kick some Cardassian ass, Buffy will come back to life, and we'll find out who really killed Laura Palmer.

Now, if you'll excuse me, I have to go and mock the Playstation 3's extremely lackluster UK and Australia launch sales. Would you believe that some reports had combined Australia and New Zealand pre-orders as low as 10,000 units?

You can read more of the mocking here, but the link goes to The Age and I should warn you that (a) they're not exactly the peak of journalism and (b) their site has popups. I'll give them kudos for their title, though: "Crowds Go Mild At PS3 Launch".

And You Smell Like One Too

The Dust Forms Words had its first anniversay last Wednesday, it seems. Although I'm not sure if it counts, what with the three month hiatus. Newborn babies don't get to go on hiatus prior to their first birthday, although there's a strong argument to be made that they should.

I command all Dustbunnies to now perform the jiggity dance. You know the steps. Don't say you don't.

Excuse Me... Rewind Just A Bit...

Is this for serious?


UPDATE: Answer = yes. Please forget for a moment that Jerry Bruckheimer is the producer of Pirates of the Carribean and instead remember him as the man who gave us Armageddon, Pearl Harbour, Gone in 60 Seconds, Coyote Ugly, and King Arthur.

UPDATE 2: Oh sweet jeebers. And the writing team, at this stage, consists of the original game designer and the guy who scripted The Day After Tomorrow. Duck and cover, children, duck and cover.

The Wii Drought

Where have all the Wii releases gone? I've been pretty much buying every game for the system that looks remotely decent, and I'm still feeling shortchanged. This week I got Excite Truck, which, y'know, was a US launch title.

Elebits has been sitting on that "Coming Soon" shelf at EB for ages, taunting me with its promise of katamari-with-guns style gameplay. Mock up covers for Mario Galaxy have started turning up, too, but last I heard the plumber's latest outing was still in development so it would take some magical powers of omniscience to know when we'll actually see it in Australia.

Plus since my wi-fi widget started fritzing out, my access to the virtual console shop has been sporadic, so there's not even a lot of joy on that front.

Help!

Final Fantasy XII

Just because it's enjoyable doesn't mean it's good. Take, for example, heroin.

That's the thought that's been going through my mind over the last eighty hours of gaming as I've worked by way through approximately the first three quarters of Final Fantasy XII. It's addictive like a drug, but the thin veneer of reward schedule ends up covering up the fact that the game is wholly artistically sterile.

The visuals are not aesthetically compelling. The story is not well told. The gameplay is neither innovative nor deep. Skill and intelligence are not rewarded, nor are curiosity and experimentation greatly encouraged. The music is derivative, the details are uninspiring, and the overall pacing is poor. But boy howdy, you can level up.

I absolutely loved Vagrant Story. It is a gem among games and if you have not yet experienced it you should immediately get yourself a copy. I say this because the FFXII team are by and large the same individuals who worked their magic on Vagrant Story, and it shows. Not only is the art style similar, but there are constant references and allusions to that earlier game throughout the gameplay and naming schemes of FFXII. Unfortunately most of what made Vagrant Story good was top-notch storytelling, a unique tone and mood, a commitment to pushing the technical limitations of its platform, and gameplay which wasn't afraid to experiment (occasionally unsuccessfully).

FFXII makes a decent pass at experimental gameplay. I mean, at some stage in the development, someone tried. It just didn't make it into the final game. There's the much lauded "gambit system", which ostensibly lets you program the artificial intelligence of your characters is shallow. This mostly devolves to allowing your characters to intelligently target enemies and automatically heal themselves. There's really no strategy or depth involved and the large part of the game designed to support it feels increasingly irrelevant the further in you go.

The other half of the FFXII gameplay equation is the Licence Board. This is a large chessboard-like interface wherein you can spend "licence points" to buy the skills necessary to use certain weapons, armour, spells and skills. The catch is that having the licence isn't all you'll need - you're still required to actually find or buy the relevant weapon, spell or suchlike. It functions a little like the Sphere Grid from Final Fantasy X, but where that system was dynamic, tactical and rewarding, the Licence Board just ends up feeling largely redundant, as you'll spend an awful lot of time buying skills for items you don't yet have. The fact that you'll probably buy every licence long before completing the game doesn't help much either.

The game purports to tell a story, which isn't by any means awful, but it's poorly told. It draws strongly from genre classics like Star Wars and Dune, yet fails to really tap into the qualities which made those titles good. The player is introduced to a plethora of named characters, yet few are characterised. Too often important events are resolved by third parties. The majority of the protagonists, including Vaan (ostensibly the lead character), spend most of the plot with no obvious personal stake in the proceedings. Throughout the game narrative is presented through poorly written text, which appears in a particularly unattractive font. The direction and cinematography are uninspiring, both in the cutscenes and the normal gameplay, and it's more than a little difficult to care about the story in any fashion whatsoever.

All of these faults are more or less covered up by the game's reward system. The player is constantly presented with a plethora of achievable mini-goals, ranging from hunting certain powerful monsters, to seeking out "rare game", to working your way through the usual assortment of sidequests. At any given point, you'll be keeping a mental list of sub-goals as long as your arm. Most goals can be completed in less than an hour of game time, and yield a tangible reward on completion, along with satisfying audio and visual fanfares. Plus, you'll be churning your way through that licence board, in addition to collecting loot (which now visibly drops from killed monsters and requires you to move over it to pick it up). The whole experience tickles that poker-machine nerve in just the right place and assists in drawing out what is essentially twenty to thirty hours of content into a 130 hour monstrosity.

So my point is: you'll like it. You will. It's good. You won't feel cheated out of your money and you'll play it all the way to the end. But if this is the way we're going to make A-list games, then we're in for a sad and unfulfilling future. We can reach further than the instinct to pull the poker machine lever - we can reach for the heart, and the mind, and the soul. We can, and we should.

Blogging Again

It turns out the grave was empty.

Thought dead by many, the news now comes, shouted by the newsboys and by the rude criers of the burroughs, that The Dust Forms Words yet draws breath.

In short, I'm blogging again.

Quick personal update for those possessed of caring: I'm now working at a Canberra law firm as a conveyancing clerk, doing horribly long hours again. I will be in Perth from 5 April to 15 April inclusive for the purposes of Swancon and the visiting of friends, during which I will be staying at the All Seasons Hotel (formerly Acacia Hotel) in Northbridge. It looks like my ongoing tenancy dispute with the landlords is about to go away (fingers crossed). And Final Fantasy XII is a great game, but for all the wrong reasons - more on that later.

Feel free to leave your comments and other random exclamations. The comment feeder is actually directing them to an email address that I check now (it wasn't for the last coupla months). I dare say you will be amazed and startled by the results.

Explanation

See, when I said Dust Forms Words would get back on a normal posting schedule, I lied. In short, I and a few others have something else cooking right now that's eating a lot of internet time. If you know what I'm talking about, then that's great, and if you don't, then I really can't talk about it. I'll post here when I get time.

Thursday Movies - January

Continuing the tradition of Thursday night movie watching at Hoyts Belconnen, the titles for the next month will be:

11 January - Arthur and the Invisibles
Director Luc Besson (La Femme Nikita, The Fifth Element) directs a (mostly) CGI animated children's film. There's evil grownups threatening to take possession of a kid's house, and magical little people in the bottom of the garden, but mostly there's Besson's wonderful ability to make entertainment regardless of whether there's a worthwhile plot to be seen. There's also voice work by the likes of David Bowie, Madonna and Snoop Dogg. Should be fun.

18 January - Pan's Labyrinth
Continuing the theme of fairy tales from unlikely directors, this time it's Guillermo del Toro (Hellboy) who's venturing into the woods, although it's certainly not a film aimed at children. Post-war fascist Spain has never looked so magical. If you were left disappointed by last year's Mirrormask or Lady in the Water then this is probably the movie you were waiting for.

25 January - The Fountain
The Fountain looks like the best of an odd crop of movies this week. Director Darren Aronofsky (Pi, Requiem for a Dream) tells the millennia-spanning story of conquistador Thomas Creo (Hugh Jackman) and his search for the Tree of Life, source of eternal youth.

1 February - Stranger Than Fiction
Will Ferrell stars as an IRS auditor who finds himself suddenly beset by a mysterious voice narrating the progress of his life. Directed by Marc Forster (Finding Neverland, Monster's Ball) and also starring Maggie Gyllenhaal, Queen Latifah, Dustin Hoffman and Emma Thompson. It sounds like it might get me through until Charlie Kaufman's next movie hits screens.

As always, $11, Thursday nights at Belconnen Hoyts, at the first session on the late side of 6.30, and it helps to RSVP with me in advance. If I don't have anyone notify me that they're coming I reserve the right to cancel at the last minute. If you want to vote out a movie and tag something else being released that week, let me know, but for the most part they're really not hard picks.

Speaking of Charlie Kaufman (Being John Malkovich, Adaptation, Eternal Sunshine of the Spotless Mind), I just heard he was responsible for one of the earlier (unused) drafts for the recent A Scanner Darkly adaptation. I can't help but wonder how that would have turned out.

Pinvisible

So here's a thing. Today I took a break from the novelty of watching Homestar Runner on the big screen via the Wii browser, and played a little of the original NES Pinball on the Virtual Console.

Apparently when your score clicks over to 100,000 the flippers become invisible. Does anyone know if this is a deliberate feature of the game or just an emulation problem?

ANSWER: No, this is a feature of the original game, apparently. If I'd managed to hold out till 150,000 they would have reappeared and stayed visible until I ran out of balls. Strange stuff.

Back in Canberra

I am now back in Canberra and normal service to the Dust Forms Words should now resume.

Big thanks to everyone who made me feel so welcome in Perth, not the least of which are Wuffie, Akshoslaa, Sassamifrass, Karlski, Cricketk, Juffles, Melelel, Kae-dash, Mynxii, Mexicanjewlizard, Terrycat, and... uh... Kandace, Rick, Paul S, Jocelyn, Andrew S, Kendra, Peter L, Margaret D, Msquared, and everyone else that I don't know an LJ or blog for or have just impolitely temporarily forgotten.

Y'all should hang out at my blog and leave comments. Don't let the non-stop hardcore gaming talk fool you - it's a regular speakeasy around these parts.

Rayman Raving Rabbids Post-Mortem

I've only had one experience with Rayman before, and that was a horrible encounter with one of the franchise's less-than-illustrious mobile phone outings. So initially I wasn't too keen on picking up Rayman Raving Rabbids for the Wii.

The Wii launched with a real shortage of quality titles, though, so I was pretty much forced to buy the damn thing - it was that or *shudder* Open Season. Which turned out to be a fairly fortunate turn of events for me, because Rayman Raving Rabbids is one hell of a good game.

You don't have to know anything about Rayman. The synopsis is simple. Rayman (the good guy) is having lunch with some Globoxes (also good guys, but kinda helpless), when they're all attacked by Rabbids (evil, crazy bunnies). Then Rayman has to fight daily in an arena. It's a simple story of boy meets Rabbids, boy shoots Rabbids with plungers, boy escapes from Rabbids.

"Fighting in the arena" actually consists of playing a variety of minigames. Most of the minigames are wildly unique, and they all involve interesting uses of the Wiimote. One early game sees you spinning the controller above your head like a lassoo in order to throw a cow attached to a length of chain. Another has you bopping bunnies with a shovel in a version of whack-a-mole. Yet another will require a pumping motion with both hands in order to drown scuba-diving rabbids with carrot juice (!).

The games vary both in quality and difficulty. Some games you'll want to play again and again, but will often be disappointed by how easy they are to conquer. Others will make you want to beat small children with the Wiimote. Anecdotal evidence, however, suggests that the game actually succeeds in having something for every taste, and few of the games are really objectively awful.

There are a few games you'll see a lot of, and thankfully these are the best ones of the bunch. Once each "day" of the game you'll be challenged to a dance off against killer bunnies, in which you must shake the Wiimote and nunchuk like maracas in time to music. It plays a lot like DDR-lite, and you'll likely want to come back and play it a lot. The soundtrack has some highs and lows. The three licensed tracks (Misirlou, Girls Just Wanna Have Fun, and La Bamba) being fantastic, complete with Smurf-like vocals allegedly performed by the Rabbids themselves. The rest of the songs, however, are original compositions that will just leave you wishing there was more licensed music.

The other heavily featured game is a rail shooter in the style of Time Crisis or House of the Dead, where you're equipped with a plunger-shooting pistols and tasked with plungering hordes of bunnies from a moving first-person perspective. The Wiimote operates like a light gun, and is responsive and easy to use. (You reload by shaking the nunchuk.) These segments are absolutely fantastic, and could easily be fleshed out into an entire game all by themselves. The only criticism to be made is that they're a little easy.

Rayman Raving Rabbids claims to support up to four players in multiplayer mode, and it does, after a fashion. There are a few caveats though. Firstly, you'll need a nunchuk for each and every player, a feat which my wallet hasn't yet hurdled. Secondly, not every game is really compatible with four players. Some will let everyone in your room go nuts at once, while others will require you to effectively take turns playing the single player game, or work in pairs. There's really no good way to find out how a minigame works multiplayer other than to try it.

Also, you need to know that there's no multiplayer right out of the box. Before you can play any games whatsoever, you need to unlock them by finishing them in the single player story mode. This can be annoying if you've invited friends round for the day, but luckily the story mode doesn't take long to conquer.

You can also play the game in a score mode, where play individual minigames while aiming for a high score. Your high scores across all games are added together, and when certain milestones are achieved you unlock bonus content such as short movies and concept art.

Rayman Raving Rabbids has fairly solid gameplay, and is reasonably replayable and fun, but what really makes it excel is its style and charm. The Rabbids are absolutely hilarious to watch doing just about anything - they're possessed of a laugh-out-loud kinetic insanity; goofy, aggressive and off-the-wall crazy. Their assorted screams and exclamations are done with a mix of nutty gargling sounds that are incredibly endearing, and every corner of the game is crammed with slapstick and sight-gags that never seem to get old. Rayman Raving Rabbids is comedy gold, and is the kind of game you'll want to show to everyone you know.

If you're a new Wii owner, and you're dismayed by some of the rushed launch games and crummy ports on offer at the moment, you absolutely cannot go past this gem of a game to get you through until the triple-A titles start hitting shelves. Highly recommended.

Oops

Apologies to all those reading via Dustfeed or other RSS who had my last fortnight of posts inexplicably republished to their friends list/RSS reader on New Year's Eve. I don't know what happened there, but I suspect it's a side effect of the upgrade to Blogger 2.0. If you're getting stuff like this leave a comment so I can unleash my debugging monkeys against it.

Also I'm noticing that the new Blogger labels don't show up in the feeds. Obviously you can access the labels at my actual site if you want to do funky stuff with them but if anyone out there actually misses the old non-interactive text ones for some reason then, again, wire me some word.

UPDATE: Apparently the feed problems are the result of the side-splittingly deadly Y2K7 bug. Or at least, if they're not, then we can all have a good laugh at Scott, who filled my ear with his tech-geek propaganda on the subject.

Happy New Year's!

I think doing some sort of festive post at this time of year is obligatory. May all you dedicated Dustbunnies bask in the warm radiance of the greater Decemberween period.

Currently my New Year's resolution is to defeat that last case in Phoenix Wright Ace Attorney. Damn you, Jake Marshall, you'll dangle on a hangman's noose yet, mark my words!

UPDATE: Okay, so Jake Marshall wasn't the killer. But I still solved the case.

Site Changes

I've upgraded to the new Blogger, which the executive bunnies at Blogger HQ assure me is totally not full of bugs.

As a result, there are some small site changes. The most obvious one is that Blogger 2.0 (or whatever the heck they're calling it) supports tags natively, so the completely half-assed system I've been using until now will go by the wayside and be replaced by the new things you'll see at the bottom of this post. Converting the old posts will take a while, so stay tuned.

If you notice anything broken about the site let me know so I can fix it.

Not Dead

Pardon the lack of updates (again). I'm in Perth, and the hotel I'm staying at has the slowest internet ever. I think they employ carrier pigeons to ferry my data packets back and forth across the Pacific.

But at least I actually have internet access now. Having lots of fun here; if you're in Perth and haven't seen me yet it's because I don't have your number. If you want to get in contact with me you can obtain my contact details from one of a number of people including Wuffie, Ju, or Jocelyn. I'm flying out the morning of the 5th so you're running out of time.

With any luck I'll be posting semi-regularly over the next few days. Keep clicking refresh.

Lack of Inspiration

Haven't felt like blogging the last couple of days. I'm sure I'll feel up to it soon, though.

Once again, I'm flying out for Perth on Wednesday 20 December, and will be in Perth until 5 January.

While I'm waiting for inspiration to strike my fingers, does anyone have anything cool they'd like to direct my attention to on the web? Matt has me playing this thing, which is cool and all, I guess. (*sigh*)

Dr Robotnik's Mean Bean Machine Post-Mortem

Dr Robotnik's Mean Bean Machine has a strange history. On the surface, it's a spin-off of Sega's Sonic the Hedgehog franchise. Dr Robotnik, the villain of the Sonic series, has a penchant for turning adorable widdle animals into hedgehog-killing robots. In Bean Machine, he's turned his mind to robotising the population of Beantown, who are (as the name suggests) anthropomorphic beans. It's up to you, as (presumably) Sonic, or, I don't know, some guy, to stop Robotnik's evil plan by manipulating falling sets of beans so as to combine beans of the same colour in a vertical playing field. In reality though, the Mean Bean Machine is actually just a re-skinned version of the Japanese hit Puyo Puyo, freshened up for sale to a western market.

Mean Bean Machine came out in 1993 for the Sega Megadrive (Genesis for you non-Australians), with accompanying ports on the Master System and Game Gear. The Megadrive version has also just been released for the Wii Virtual Console, and as a result I've now played through the game and finished it for the second time in 14 years.

The game's mostly just a Tetrisoid. Beans drop in pairs of two, in a range of colours. You have to stack them to connect same-coloured beans in sets of four, which can be in straight lines, square blocks, or arrangements that go round corners. Making a set of four beans clears them from the playfield, allowing everything resting above them to drop further down into the bean well. These dropping blocks can trigger further four-bean combinations, and so forth. If the beans reach the top of the playing field the game ends.

You can play the game in an "exercise mode", which sees you simply continuing to clear beans as the drops get faster and faster, much like traditional Tetris. This is fine, but the real meat of the game is in the two competitive modes - Scenario (you vs the computer) and Two Player (which as the name suggests pits you against another real person). In either of these modes, clearing more than four beans on a single drop results in the excess beans migrating to your opponent's playing field as un-coloured "refugee" beans, which can interfere with carefully planned combos and brings them closer to reaching the deadly top of the screen. Setting up the necessary combos to bomb your opponent is absolutely necessary to victory, but it can be deliciously difficult when your opponent is doing the same thing to you.

The Scenario Mode puts you into a series of 13 such matches of increasing difficulty, culminating in a showdown with Robotnik. Each match is against one of Robotnik's robots, who all have a different "personality", evinced by some cheesy character art and pun-filled dialogue. Winning a match rewards you with a password which you can use to resume play from that level. Getting through all 13 matches should take no more than a few hours, although there's a difficulty setting squirreled away in the options menu that you can turn up to increase the game's longevity.

Graphically the game looks like it could have been an 8-bit Master System title instead of the allegedly 16-bit offering that it is, but the star here is the gameplay so you won't be bothered. The sound is also very average for the era but does the job of not annoying you while you're playing. It's safe to say that you won't walk away humming any of the musical score.

Dr Robotnik's Mean Bean Machine is one of the better early Tetrisoid games, and players of all ages and skill levels would likely get some fun from it. The content of the game is short-lived but thoroughly enjoyable while it lasts. As a download from the Wii Virtual Console it's attractive but it's hard to recommend unless you've already bought and gotten tired of the vastly superior Columns (also available on the Virtual Console at exactly the same price).

Wii SD Card Issues

So here's another small issue with the Wii that I wasn't expecting. I finally got an SD card for the system today and promptly backed everything up out of system memory and onto the card. Then I discover - you can't save directly to the SD card from within games, nor can games read save files on the SD card. Likewise, while you can copy downloaded Virtual Console games to and from the card, you can't play them from the card. The SD card is apparently for backup and transport only - anything you want to use has to be "installed" on system memory first.

It's a bit disappointing, but system memory is comparitively huge compared to memory cards of the past, so it's not too big a problem.

New Virtual Console Titles

For those Australians who haven't checked the Wii Shop today, you'll find the following additional Virtual Console titles available for download:
* Gunstar Heroes
* Ristar
* Pinball
* Columns
* Dr Robotnik's Mean Bean Machine
* Urban Champion

Which is awesome. (I'm playing the Bean Machine right now.) But it's still really disappointing that you have to play these games exactly as they were originally released. That's right - you can't even save your game to the hard drive. I'm playing Bean Machine and (can you believe it) writing down passwords. It's positively medieval.

Wiimote Battery Life

Hey, is anyone else out there finding that Twilight Princess drains the Wiimote battery a lot faster than titles like Rayman or Wii Sports? I don't know whether it's the nunchuk use, or the amount of sound that comes out of the controller, or just that I'm playing for longer periods, but it seems like Zelda is really chewing through the batteries.

By the way, for those who are caring, I've just finished the chase sequence/jousting fight that happens after you learn sumo, spent some time rushing round the village to ascertain the fate of the character involved in that sequence (happy results!) and am now about to tackle Death Mountain. Lots of fun.

I'm glad I've played Ocarina of Time though, as it seems like the game's assuming I have a lot of the Ocarina legacy skills, and is developing them all to their next logical extensions. For example, horse riding is the same as Ocarina - but with more depth. The boomerang is the same as Ocarina - but with more depth. Et cetera. Plus it's cool to see a heap of the Ocarina musical cues being worked back into the game (most notably Epona's Theme).

UPDATE: I'm not the only one blogging on battery life. Curmudgeon Gamer has something to say, too. 35 hours a remote seemed reasonable based on the drain I saw back when I was playing Sports and Rayman, but 15 is much more on the mark for what I've been getting out of Zelda.

Dragon Quest IX Exclusive To DS

Ever since Sony took a right turn onto Arrogant Lane and started proceeding down the lonely path to Bizarre Business Decision Village, I've been predicting that certain third party developers weren't going to be too excited about accompanying them on their pointless egocentric sidequest. In particular, I've been anticipating that Square-Enix were going to start getting out of bed with the PlayStation 3 to prevent it taking their valuable franchises in new and unprofitable directions.

(Don't make me dig up the posts; I'm tired and I have a head cold.)

So it comes as no surprise to me that Squeenix have announced that the next full-fledged Dragon Quest title (Dragon Quest IX) will be a Nintendo DS exclusive. Actually, it should come as no suprise to anyone that Square's second-best-selling series will be appearing on the world's best-selling console, but there it is.

If you're not Japanese, you might not grasp the significance, but Dragon Quest sells well enough over there to give Square's own Final Fantasy franchise a run for its money. It's effectively like saying Final Fantasy XIV will be coming only to the Wii. It's a big coup for Nintendo and a real kick in the nuts to Sony.

Full story via Gamespot.

UPDATE: Oh, and the Sydney Morning Herald (that bastion of accurate reporting and journalistic integrity) says it'll be taking advantage of the DS wireless to have multiplayer, allowing you to "embark on adventures with real friends" in what my imagination fervently hopes will be a throwback to Secret of Mana.

RIP Gamecube

Today in the United States will see the release of the Gamecube version of The Legend of Zelda: The Twilight Princess.

This is the last game that will ever be released for the Gamecube. The console's lifespan is now officially over.

Cheers for a lot of good times, Cubey.

The Name Explained

Huh.

See, when I named this blog The Dust Forms Words, what I thought I was referring to was the way that meaning can arise from apparently random interactions in complex systems, which seemed to go well with a gaming blog. But I've just been digging through some very old writing journal files in the depths of my hard drive, and it turns out that I was instead remembering the phrase from the following scrap of poetry that I wrote some many years ago:

Coming late to mortality
I found I had no friends there.
These desperate happy people
burn their bonfires, and I
like a ragged moth,
stalk their edges.

I have half a lifetime

The dust forms words;
our fingertips trace their secret names
and all of them are Sorrow.

Which I suppose just goes to show how one can't trust one's memory.

Twilight Princess First Impressions

I've just made my way through to the first save point in Legend of Zelda: Twilight Princess for the Wii, and while it's kind of great with a lot of strong points, can I just say that if I wanted to play Shadow of the Colossus I would be playing Shadow of the motherfucking Colossus?

I mean, there's only so many times an untalkative rustic protagonist can ride a horse over an ancient bleakly-lit decaying stone bridge, you know? And clearly I'm going to be doing a lot of that, because the game's been heavily pimping me its horse-wrangling techniques long before it's given me a weapon or shown me the combat controls. *Sigh.*

Red Steel Impressions

Among the titles I purchased when I bought my Wii was Red Steel. I did this despite my own better judgement, despite the numerous negative reviews, and despite the unappealing box cover. I did it because it was the only Wii launch title available in my local store which wasn't aggressively family friendly.

I think a lot of other people are going to buy it for the same reason, and they're going to feel just as traumatised by the sheer hideousness of this game as I was.

Red Steel casts you as an American bodyguard named Scott. In a plot ripped straight from the intro to any late 80s arcade game, your girlfriend has been kidnapped and it's up to you to run and gun your way through an army of implausible enemies in order to get her back.

The game's presented as a first-person shooter. You use the Wiimote in the same way you'd used a mouse on a PC - to aim, to look around, and to shoot. My first reaction to trying out this control scheme was that you could make a pretty decent shooting game along these lines.

Red Steel is not that game.

The game feels lazy on almost every level. Other than the basic point and shoot functionality (which is fine), the rest of the controls are unintuitive and annoying. You'll be shaking the nunchuck around like an epileptic as you try to open doors, pick up guns, and change firearms on the fly. Zooming in (which you'll frequently need to do) is accomplished by making a skewering motion towards the TV with the Wiimote, which (trust me) gets old real fast.

The graphics feature some nice lighting effects but are otherwise appalling, packed with horribly pixellated textures and a legion of enemies who all look exactly the same. Key items in the environment (including ammo, enemies, and some aspects of terrain) are outlined with shades of bright white and yellow that make them look like they're the victims of bad greenscreen special effects.

The plot is painfully shallow and the majority of characters speak with exaggerated Japanese accents. Some of the plot is rendered through comic-book style hand-drawn cutscenes which could be generously described as "in the tradition of" Max Payne. However, what was an effective and deliberate stylistic choice in Max Payne here feels like Ubisoft were just too lazy to do a real cutscene.

I can't talk about how bad this game is without mentioning the menu system, which should probably be listed somewhere in a book on how NOT to design a user interface. Just getting into a game will require mousing over a variety of non-intuitive and fairly random neon-signs, reading their (often unhelpful) mouseover text, and then dragging and dropping them onto a big billboard. The best that can be said for the whole appalling menu experience is that it's consistent with the rest of the game.

The game coding isn't exactly rock solid either. Hit models for enemies are way off - sometimes you'll hit an enemy even when you're nowhere near them, while at other times nothing less than a direct shot to their head or chest will do the job.

I've played less than two hours into the game, and I'm giving up. It's going back to the game rack, and probably never coming back down. Ubisoft's nun-punching kitten-beating development antics have left a bad taste in my mouth, and really, in a world already packed with top-notch first-person shooting games, why on Earth would you waste time playing one as mediocre as Red Steel?

Lego Star Wars II Post-Mortem

Lego Star Wars II for the PlayStation 2 is packed with style, innovation, and great gameplay, and yet it just isn't as good a game as its predecessor.

I've actually had this one sitting next to my laptop for a while, begging me to post-mortem it so it can go back to its home on my game rack. Somehow I've just never gotten around to putting up the post - probably because I've already had the chance to vent about some of its problems.

For those unfamiliar with the series, Lego Star Wars is a fairly simple game concept - it's Star Wars, done entirely with Lego, formatted as a platforming-action videogame. The original title, which covered the plot of the three prequel movies, was an absolutely wonderful moment in gaming. It had intuitive controls, family-friendly difficulty, a great sliding scale of objectives, and more charm and humour than you could poke a lightsaber at.

If it had one problem, it was a lack of length. From one corner of the interblog to the other, players were unanimous in criticising the game for its overall shortage of content, best exemplified by the fact you could finish everything the game had to offer within a single day. Even I took a shot at the game (amidst an otherwise glowing review), although I did refrain from using the phrase "I've found longer games growing on food I left behind the couch."

When it came to creating Lego Star Wars 2, it should not be said that Traveller's Tales was deaf to criticism.

Let me say this straight up - Lego Star Wars 2 is about three times as long as the original Lego Star Wars. That's not to say it has more content. It's roughly on a par with the first game. No, it's just going to take you three times as long to get through it.

There are a lot of fine things that have succeeded by taking roughly thirty seconds of gold and stretching them out over inanely lengthy periods. The sport of cricket is one. The entire wrestling career of Triple H is another. Robert Jordan's The Wheel of Time is a third. Lego Star Wars 2 is sadly not one of those things.

The game proceeds largely as the first one did. Upon starting the game, you'll be plonked down in a central mission hub (in this case the Mos Eisley Cantina), and tasked to make your way through the plot of the three original Star Wars films using a variety of little Lego characters. You can do these in a fairly non-linear fashion - once you complete the first level, you can jump straight to Empire Strikes Back or Return of the Jedi without having to complete A New Hope. Completing levels involves running, jumping and shooting your way around a variety of generic platforming levels, which are themed after particular segments of the movies.

Each level can be completed in both Story Mode and Free Play. Story Mode is a straight run through the level using the appropriate characters as assigned by the game. You'll play as (for example) Luke as he returns from the Jundland Wastes to the Lars Homestead. Generally you're followed around by an entourage of other characters, such as Obi-Wan, R2D2 or C3PO. You can change to any other character in your entourage on the fly. In addition, a second player can help you out by controlling a character.

In Free Play mode you have access to a much wider range of characters, chosen from a pool that you've unlocked. Various characters have different abilities, so you'll want a good selection of powers at your command. For instance, Obi-Wan and other Jedi can move Lego bricks through the power of the force, while R2D2 can open certain locks and hover horizontally for short distances. Many bonus sections of levels can't be reached in Story Mode, requiring you to return in Free Play with special characters to find all the secrets.

Each level has a set of 10 minikit canisters to find. Uncovering all ten (which usually requires playing in Free Mode) rewards you by putting a Star Wars-themed Lego vehicle on display at the Cantina, and by showering you with Lego studs (which are the game's currency). Each level also has a stud-collection target - finding that many Lego studs within a level rewards you with the status of "True Jedi". That's not all - there's also a red power brick on each level which unlocks a cheat or power-up for purchase at the cantina shop.

Each target you meet in the game will reward you with a Gold Lego Brick. These can be assembled back at the Cantina into a range of doorways which give access to bonus levels. None of these bonus levels are very interesting, with the exception of a short reasonably fun area themed after classic non-Star Wars Lego.

All that unlocking may sound like a blast, but it's really not. For example, you'll need to obtain the functionally identical True Jedi status on both Story and Free Play mode, which is every bit as tedious as it sounds. The canisters and power bricks are placed poorly, with the design philosophy apparently being to deceive and defeat the player, rather than reward them for creative exploration. You'll probably end up turning quickly to an FAQ to get them all, unlike in the first game where this goal was reasonably achievable without external aids. The fun in Lego Star Wars 2 lasts almost exactly the same length of time as it did on the franchise's first outing - it's just that this time when the fun's over the game is still going.

The level designs are mostly broken this time around too. Rather than promoting fast-paced see-what-happens gameplay in the tradition of the first game, there's an emphasis on solving finicky problems, backtracking, and getting killed a lot. As an example, you'll often need to disguise yourself as a stormtrooper to open certain door locks. This is accomplished by obtaining a stormtrooper helmet from a dispenser located somewhere on the level. Once you have the helmet, you have to get back to the lock while still wearing the helmet. The catch is, if you take any damage whatsoever, the helmet falls off, requiring you to walk back to the dispenser.

These sections are intensely aggravating. There's one bit like this on the Death Star which involves a lift which will have you wanting to apply fruit peelers to the faces of the game's developers. The result is uneven pacing, inordinately frustrating punishment for very small failures, and game segments which are less a challenge of your skill than they are of your patience.

What makes it all worse, of course, is the fact that many of the levels have unending waves of enemies, which just keep coming at you. Sometimes you can shut off these enemy attacks by closing doors or pulling switches, but more often you just can't. Strangely, the earlier levels are plagued by this problems more than the later levels, so if you perservere you may find your experience improving.

The game as a whole feels like something that's been created by many hands, rather than by a single guiding intellect. Certain levels are clearly designed by totally different minds than the ones that precede them. Courses of action that are encouraged in one area will be brutally punished in the next.

In all this game-bashing, I need to say that this is still a very good game. It's a top-shelf platformer that's a highly recommended buy if you're a fan of Star Wars, Lego, or just the genre as a whole. Each of the game's characters looks cute and highly true to the source material. Levels are punctuated by laugh-out-loud humorous cutscenes, with the little Lego characters engaging in a range of Jedi slapstick. The controls are reasonably tight, and there's a lot of fun to be had.

It's just that it's not as good a game as what came before it. What was cute, clever and fun the first time round is now mainstream, homogenised and mixed up with an extra-big helping of annoying. It's likely a lot of people who are choosing which of the games to buy will go with this one just because it's based on the better movies, but if you're a gamer of taste then play the original.

Dear Stalker

Can the following individual please step forward:

* The person from Melbourne on an iinet account who reached my blog by googling my RL name? I'm probably the person you're looking for, I just don't know who you are.

Also, if you're that person from Illinois on Illinois Century Network who keeps googling "The Dust Forms Words", feel free to add me to your blogroll or favourites list to facilitate your visits in future!

While I'm here, a hearty thanks to whoever tagged The Citizen Kane of Games on Blinkbits, and to whoever put some of my Wii posts up on del.icio.us (which I suspect was Brinstar, judging from the links I'm seeing).

December Carnival of Gamers

My post The Death of Boardgames (and its follow-up) made it into this month's Carnival of Gamers, hosted over at MMOG Nation. Huzzah.

Although (at least right now) I'm listed as The Dust Forms Worlds. Which, y'know, it does. I guess.

Upcoming Game Releases - Australia

More to remind myself than anything else, here's forthcoming game releases over the next few months in Australia that look interesting.

Dec 12 - Myst (PSP)
The frustrating, shallow, and visually attractive point-n-click puzzler finds a natural home on Sony's frustrating, shallow and visually attractive handheld.

Jan 12 - Lost Planet: Extreme Condition (X360)
The Halo-esque first person shooter I got to try out at TGS. I don't own a 360 but this game's come closer to persuading me than anything yet.

Jan 17 - World of Warcraft: The Burning Crusade (PC)
Blizzard's MMOG expansion is probably going to sell considerably better than most full fledged games.

Feb 8 - Rule of Rose (PS2)
Despite all the mediocre reviews it's gotten, I still want to play this disturbing survival horror populated by evil 1930s teen and pre-teen girls. Can't believe that the OFLC let this one slip past, but I guess their loss is Australia's gain.

Feb 8 - Contact (DS)
It's what all the cool kids in the blogging circle seem to be playing, so I'm dying to try it to maintain my guru-like position at the top of the interweb's totem pole.

Feb 22 - EA Replay (PSP)
EA Replay is an anthology collection, but what an anthology collection! Ultima VII, Syndicate, all the Road Rash games, both Jungle and Desert Strike, Virtual Pinball, Mutant League Football, Budokan and the original Wing Commander. I'm almost willing to forgive EA their many sins just because of this collection. Almost.

To the best of my knowledge there's still no Australian release date for Final Fantasy XII (PS2), Metal Gear Solid Portable Ops (PSP), Elite Beat Agents (DS) or Elebits (Wii). Anyone care to tell me differently?

Wii First Impressions

It's time for babbly barely coherent late-night fanboi ranting. As mentioned earlier, I got my Wii today, and spent most of the day trying it out with friends.

It represents a number of firsts for me:

* First time I've bought a non-handheld console on launch day.
* First time I've spent nearly a thousand dollars on a new console, games and accessories without feeling the slightest hint of buyer's remorse after getting it home
* First time I've been able to just hang out for hours with a console operating system without feeling the need to fire up a game or "play something".

If you happen to have a Wii, it's well worth making the effort to get it connected to the internet. For those who invested in the USB Wi-Fi dongle for the DS, it's a pretty simple process, as the Wii can connect through the exact same peripheral. Otherwise it's going to involve setting up wireless access points or waiting for the forthcoming release of the LAN adapater.

I'm happy to report that the Virtual Console shop does actually sell more games in Australia than previously reported. I've secured copies of both Golden Axe and F-Zero from its pixellated clutches, and they're just as much fun as I remember. Both are a little overpriced, coming out to about $12 AUD each. (Bear in mind that Golden Axe represents a grand total of 40 minutes of play from beginning to end.)

Making your little virtual avatar, or Mii, is great fun, and it's even better if you have a ton of friends around to get in on the process. My Mii Plaza is now populated by little virtual facsimiles of most of the people I know. These little hooligans become the playable characters in Wii Sports and Wii Play. Miis you're not using appear in the background and in crowds. I don't know of any third party software using them yet, and it's a little hard to see how you would outside of chatroom avatars, but I hope they don't get completely ignored by forthcoming releases.

The Wii uses friend codes, much like the DS, as a measure to stop random strangers stalking children and suchlike, but they're implemented a lot better than on the DS. Instead of having a unique code for each game, you get a global code for the system. Swapping friend codes with someone (which can only take place outside the Wii environment) will allow you to exchange mail, send your Miis visiting their console, and (presumably) eventually allow you to select that person as a preferred opponent in multiplayer titles. As the Wii is ideally always left on, there's a lot of scope for interaction with your friends list to take place here. I've already received a ton of Miis from the household of Wuffie in Perth. (Damn you, miniature Karlski, why are you always bowling in the lane next to me?)

You can get so involved in sending mail and playing with Miis that you can forget to play any games entirely. Which says something about how friendly, engaging and easy to use the Wii interface is. It really feels like Nintendo telepathically read all my subconscious disappointments with the PSP and made me a little white console to cheer me up.

The feel of the controllers really varies from game to game. Tennis, which is included in the Wii Sports pack-in game, is incredibly addictive and an absolutely perfect four-player introduction to the system. Rayman Raving Rabbids also delivers a fantastic experience from the unique Wiimote controllers. On the other hand, the boxing and gold components of Wii Sports are an exercise in pure frustration that could easily turn off new players. I guess it's like any controller - it's only as good as its software support.

Anywho, I'm going off to sleep now because I have a busy day tomorrow. If I'm up to it, I'll put up my impressions of Casino Royale in the morning. (Short version: just because it's probably the best Bond film ever doesn't mean it isn't full of disappointing pacing and story problems.)

G'night.

Wii

I have a Wii. We have decided that the letter "i" must be substituted with the letter "o" whenever it appears in sets of two. So, I should say I have a Woo. I've created a ton of those little virtual avatars (Moos).

Nintendo has learned from its mistakes with the DS, and instead of each individual game having a unique Friend Code there's now a global one across the console. Mine is:

8712 4214 6924 1286

Friend me! I needs my little virtual people to go conquering! More details on my experience will follow once I don't have people right here in my living room wanting to wave the Woomote around in the air some more.

He Loves Bees

"Back in AI, the challenge was, hey, let’s build the game in such a way that your life just gets weird. The producers came back to me and said, what does that mean? I said, I want you to look at the web, and suddenly nothing quite makes sense anymore. And they said, well, we could do a little pop-up window. I said, what I want is, after you visit this website, your car only drives in reverse and none of your friends remember your name and suddenly your mom doesn’t speak English. And they kind of gave me this blank look and I said, yeah, I’ll settle for a pop-up window."

Yes, that's right, Gamasutra's interviewing Elan Lee, creator of ARGs such as The Beast, I Love Bees and Hex 168. Check it out now before they're erased from continuity, leaving nothing behind but a cryptic message encoded in the back of a cereal packet.

Tomorrow is Wii Launch Day Australia

As the post says, tomorrow is when the Wii hits store shelves in Australia. I called EB Games on Monday, who first told me that as they are the Nintendo-preferred supplier in Australia (whatever that means) there is absolutely no chance they will not be able to meet all their current pre-orders. Then they told me that, despite their earlier promises, they wouldn't be upgrading my pre-order to match the Toys 'R' Us deal, and that it was also now too late for me to take my business to Toys. I think there was demented gloating laughter involved. Screw you, EB.

In any case, does anyone feel like coming into Civic tomorrow morning from about 7 am to help me camp the console spawn? I probably don't need to actually line up, but dagnabbit I missed the 360 launch and I'm sure as heck not lining up for a PS3, so this is my one chance to fanboi over this generation of consoles. I'll bring snackages!



Did I mention how xkcd is awesome and I have all the shirts?

UPDATE: On the plus side, we're totally not in Japan, and there are unlikely to be 1,500 people in the line.

Canadian Film Festival at Electric Shadows

From this Thursday to Sunday at Electric Shadows you've got a chance to catch up on some alternative Canadian cinema. Sydney's Canadian Film Festival (which is just finishing its Sydney run) is bringing six of its films to Canberra, including:

* Bon Cop Bad Cop
* A Simple Curve
* Tales of the Rat Fink
* On the Trail of Igor Rizzi
* The Novena
* Midnight Movies

Matthieu Ravier was kind enough to send me advance screeners of some of the Festival's movies, although of the three films I received, only one is on show for Canberra viewers. It's a shame that Next: A Primer on Urban Painting and Sidekick aren't leaving Sydney, as those were both quite watchable despite some minor faults. Also missing from the tour lineup is Terry Gilliam's new film Tideland.

The only one of the six Canberra offerings I've seen is Midnight Movies, which purports to investigate the 70s phenomena of midnight cult movie screenings. It looks into El Topo, Night of the Living Dead, Pink Flamingos, Eraserhead, The Rocky Horror Picture Show and The Harder They Come, complete with relevant writers and directors musing over their movies. Unfortunately it's a little light on content and comes across as more of a fan tribute than a particularly noteworthy documentary. Still, if you've enjoyed any of those movies there's some good nostalgia to be had out of it.

After leaving Canberra the tour is showing in Melbourne from 14-20 December, and Adelaide between 5-20 January.

Electric Shadows is closing down soon so this is one of your last chances to be a part of Canberra history. More details on the movies and the tour can be found here.

New Daedalus Project Findings

Nick Yee's Daedalus Project has some new results up:

Dealing With Dilemmas
Nick finds that (surprisingly?) players over 35 are more lenient, accepting and open minded when it comes to class builds, team roles and rule enforcement.

Horde v Alliance in Battlegrounds
Looking at a range of mechanical and sociological factors behind the widely held WoW belief that the Horde have an edge in player vs player gameplay.

Interview with Shavaun Scott
Discussing issues of online gaming addiction with a qualified therapist.

Not the most incisive stuff to come out of the Daedalus Project but still an interesting read. As usual these findings arrived in my inbox accompanied by an instruction to continue pimping the site to friends. It's a data collection and analysis program relating to issues around massively multiplayer online game (MMOG) play patterns, beliefs, and demographics, operated by Nick out of Stanford University. It's already turned out some fascinating stuff. If you are a current player of any MMOG (especially World of Warcraft) you should definitely go take the surveys. And if you've done them before - well, there's some new ones up.

Go here to take the surveys.

The Last Supper

Via Wonderland:

My attention has been drawn to Nerdy Shirts, which is yet another faceless internet business manned by killer robots which produces humorous geek-themed shirts. Funny clothing and cute models: what's not to like?

On a warm summer evening in 1981, Mr. Ghost agreed to go out to dinner with his long time friend and business associate. It wasn't until his friend ordered a giant white ball that he knew something was awry. Disastrously awry.

Also this:

Australia Wii Virtual Console Launch Titles

Following is a complete list of the classic games that will be available for download in Australia via the Wii Virtual Console when the system hits stores on Thursday.

* Donkey Kong
* Mario Bros
* Wario's Woods.

And... that's all. Note that there's no "Super" next to "Mario Bros" either. Let me know if you actually feel like paying money for any of those titles so I can laugh at you and question your masculinity. Plus this little gem:

The TurboGrafx system never made it to Australia and New Zealand, and those countries will again not receive TurboGrafx games.

Sorry, what? And that makes sense how? I guess with all the Sony bashing, Nintendo were feeling lonely and left out.

You know what's NOT on that list, that other countries are already able to download and play? Warning: those subject to bouts of demented sobbing and teeth gnashing may wish to look away.

* Bomberman 93
* The Legend of Zelda
* F-Zero
* SimCity
* Super Mario 64
* Altered Beast
* Sonic the Hedgehog
* Ecco the Dolphin
* Golden Axe

Again, in case it's not clear, Australia will NOT be getting those games at launch. That sound you can hear is the squeaky laugh of Ecco the Dolphin as he taunts you while fighting time-travelling underwater aliens.

All of this is via Go Nintendo, and I don't really have any experience with how reliable they are prior to today, so for all I know they could be lying through their snaggly inbred little teeth, but it sounds true, and really, isn't that what's important? They're sourcing it from Nintendo World Report, a fairly obnoxious site that uses popups (visit at your own risk).

Thanks to Curmudgeon Gamer for the heads-up.

UPDATE: This turned out to all be horrible puppy-kicking lies, except for the bit about TurboGrafx games. The launch lineup was actually quite decent and it expanded quickly over December. This is the last time I trust Go Nintendo for my news. Pfah, I spit upon their graves.

50 Most Significant Sci-Fi Novels Meme

Via Cap'n Oblivious:

Below is Time's most significant SF novels between 1953-2006.

The meme part of this works like so: Bold the ones you have read, strike through the ones you read and hated, italicize those that are seriously overrated, and put a star next to the ones you love.

Dust Forms Words note: The original meme used italics for "started but never finished", but because I don't do that with books ever I've replaced it with something more relevant.

1. The Lord of the Rings, J.R.R. Tolkien
2. The Foundation Trilogy, Isaac Asimov
3. Dune, Frank Herbert *
4. Stranger in a Strange Land, Robert A. Heinlein
5. A Wizard of Earthsea, Ursula K. Le Guin
6. Neuromancer, William Gibson
7. Childhood's End, Arthur C. Clarke
8. Do Androids Dream of Electric Sheep?, Philip K. Dick *
9. The Mists of Avalon, Marion Zimmer Bradley
10. Fahrenheit 451, Ray Bradbury
11. The Book of the New Sun, Gene Wolfe
12. A Canticle for Leibowitz, Walter M. Miller, Jr.
13. The Caves of Steel, Isaac Asimov
14. Children of the Atom, Wilmar Shiras
15. Cities in Flight, James Blish *
16. The Colour of Magic, Terry Pratchett
17. Dangerous Visions, edited by Harlan Ellison
18. Deathbird Stories, Harlan Ellison
19. The Demolished Man, Alfred Bester *
20. Dhalgren, Samuel R. Delany
21. Dragonflight, Anne McCaffrey
22. Ender's Game, Orson Scott Card
23. The First Chronicles of Thomas Covenant the Unbeliever, Stephen R. Donaldson
24. The Forever War, Joe Haldeman *
25. Gateway, Frederik Pohl
26. Harry Potter and the Philosopher's Stone, J.K. Rowling
27. The Hitchhiker's Guide to the Galaxy, Douglas Adams
28. I Am Legend, Richard Matheson *
29. Interview with the Vampire, Anne Rice
30. The Left Hand of Darkness, Ursula K. Le Guin
31. Little, Big, John Crowley
32. Lord of Light, Roger Zelazny
33. The Man in the High Castle, Philip K. Dick
34. Mission of Gravity, Hal Clement
35. More Than Human, Theodore Sturgeon
36. The Rediscovery of Man, Cordwainer Smith
37. On the Beach, Nevil Shute
38. Rendezvous with Rama, Arthur C. Clarke
39. Ringworld, Larry Niven
40. Rogue Moon, Algis Budrys
41. The Silmarillion, J.R.R. Tolkien
42. Slaughterhouse-5, Kurt Vonnegut
43. Snow Crash, Neal Stephenson *
44. Stand on Zanzibar, John Brunner *
45. The Stars My Destination, Alfred Bester *
46. Starship Trooper, Robert A. Heinlein
47. Stormbringer, Michael Moorcock
48. The Sword of Shannara, Terry Brooks
49. Timescape, Gregory Benford
50. To Your Scattered Bodies Go, Philip Jose Farmer

33 out of 50. I don't do too badly, there. Actually, it's entirely possible I've read Childhood's End and/or Caves of Steel and completely forgotten it. For some reason a lot of Asimov and Clarke just goes in one eyeball and out the other. I think it's something about those horrible 70s pulp covers that so many editions of their work are saddleed with. And I've read one-third of the first Foundation trilogy, so do I get a third of a point there?

I have to say I can't completely agree with a list that includes Lord of Light and The Silmarillion and leaves out The Shining, I Robot and Flowers for Algernon, but I guess that's not the point of the meme.

Next post will be actual content, I promise.

PS3 Backwards Compatibility and My Game Library

You've probably heard by now about the PS3 backwards compatibility problems. I thought I'd take a look at my game library and see exactly what difficulties I might have accessing my extensive back catalogue on Sony's new baby. The results are a bit depressing, although it's not as bad as I thought. Anecdotally I hear the biggest losers are those with a large number of anthology or retro gaming titles. Or, apparently, owners of PS1 Final Fantasy games.

Burnout 3: Takedown
When the user selects LOAD PROFILE, the following text appears: "Saved game data on memory card (PS2) in MEMORY CARD slot 1 appears to be corrupt. Please delete the corrupt data using the console's browser."
Throughout gameplay, vehicle engine sound effects play overlapped by static audio distortion.
Devil May Cry 3: Dante's Awakening
Throughout gameplay, when the user's character opens a door, the "warping" sound effect plays overlapped by a static noise.
Driver
When the user selects Driving Games, Car Chases, or High Scores from the Main menu, and the subsequent menu screen appears, certain menu options do not appear, and/or portions of the menu option text do not appear.
Final Fantasy Anthology
On the Final Fantasy V Disc (Disc 1), when the user’s character progresses to the first save point, and selects SAVE from the Game Menu, a black transition screen appears and the title hangs.
Final Fantasy Chronicles
Throughout gameplay of the Final Fantasy IV Disc, various graphics randomly drop out and/or flicker.
Final Fantasy IX
Throughout gameplay and FMA's, when the user’s character walks up or down on screen and the camera pans up or down to follow the movement, four transparent horizontal lines appear across the screen.
Final Fantasy Origins
Throughout gameplay of Final Fantasy II, when the user encounters a random battle, and the battle transition screen appears, the brightness level is adjusted.
Final Fantasy VII
On Disc 1, when the first battle begins at the Mako Reactor, a flashing black square appears around the user’s character's pointer.
Final Fantasy VIII
Throughout gameplay, when the user's party encounters a random enemy in the "world map", and the “pre-battle” transition screen appears, approximately 40 - 60% of the “pre-battle” transition screen appears black, and the remaining portion of the screen appears corrupted.
Guilty Gear X2
On the Guilty Gear X2 Title screen, with a PS3 connected to a CRT television, and the PS3 using composite out, multiple vertical lines appear flickering throughout the screen.
ICO
Throughout gameplay and FMA's, the screen flickers.
Metal Gear Solid 3: Subsistence
During gameplay, with 1 PS3 user hosting a Team Deathmatch Game Type, and 5 other users as clients, the host is randomly disconnected, and is unable to reconnect
Metal Gear Solid 3: Subsistence (Limited Edition)
Throughout the title, with the PS3 using HDMI out, the screen appears divided horizontally, and both of the divided portions of the screen display out of sync from one another.
Prince of Persia: Warrior Within
When the user completes the first level, an FMV plays, and a black screen appears, a random audio track plays for approximately 1 second and the screen flashes.
Resident Evil: Outbreak
The title is unable to perform intended HDD functionality.
Silent Hill
Throughout gameplay, when the user’s character shoots an enemy, a medium pitched tone plays.
Tekken 5
In TIME ATTACK mode when Xiaou is selected as player, the title does not recognize controller input when the user progresses to STAGE 6. (Fixed with system software update.)

You can check your collection (one at a time) by going here.